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Dissipative Structures
Unknown Disruption
Encrypted Bodies
Dispersion Ingestion Territory (Triptych)
X-bodies

X-bodies

These 3d sculptures explore the concept of female physicality. They emerge as floating entities of ambiguous nature, mysterious remnants that once were animate. The sculptures are implemented in various AR apps and can be juxtaposed with multiple environments.


Zitkala Sa

Zitkála-Šá, the name she chose herself

My contribution to , an augmented reality exhibition aiming to bring awareness about gender and race inequalities in representation concerning public art in NYC. Inspired by the Yankton Dakota musician-violinist, writer, activist and educator who signed by the name "Red bird". The project seeks to spread AR juxtapositions in public spaces in various cities around the world.


Notes on Alchemy II

Notes on Alchemy II

This series concerns the process of Mapping in general and especially its relation to the various sciences involved in the so called “Dawn of the Age of Reason”. The common tendency to see Science as De-mystification and relate it to strictly operational procedures is juxtaposed with a historical view on the subject that inevitably reaches a point where scientific, philosophical, magical and religious thought where blended together.


TheyCallitFemaleNature

TheyCallitFemaleNature

Visual thoughts on the reification of femininity and the virtual character of the female body. Distorted, mutilated and manipulated, fragments of female entities emerge in a vast and obscure space vacuum.


XX Series

XX Series

This series of digitally enhanced renders of 3d sculptures concerns the female body as an objectified socio-cultural construct. Mannequin, doll, distorted ghost or empty vessel, female physicality haunts these images in all its banality and ambiguity.


~450nm

~450nm

A study on photography and visual signification in collaboration with East End festival. Through a large photo-archive gradually built from private collections, we explore past views of the island of Samos and its people in their everyday gestures and expressions. The installation is located on the old leper house of Κarlovasi, a place where diseased people where relocated for purposes of “hygiene” and “safety” throughout the 19th and 20th century. We can still see the traces of blue paint on its walls, a practice that was supposed to keep patients “calm”. Taking this “blue-ness” as a starting point we choose to move away from places of confinement, to a wide open space of ambiguity and flux.


Memory Scan
Lowrez
Personal Telesterion
Notes on Alchemy
...

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